<strong>Reviewed by Mohsin Siddiqui</strong>
YOU don’t expect Gone Girl to be set in a haunted house, but in a way, that’s the locus for Gillian Flynn’s latest novel: a rental house in Carthage, Missouri that is populated with the ghosts of dreams and memories, and the fading illusion of a happy marriage. Equal parts psychological suspense and noir thriller, it’s a mutant hybrid that turns out to be (far) more than the sum of its parts.
Part one of Gone Girl opens with
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